Inspiration:
I adore this photo, though I am scared to try painting it. I’m afraid I won’t do it justice. Also, I think the areas of interest (like the baby’s face) may be in the areas that are hardest for me to reach. Still, I’ll try.
What do I love about it?
- The overall soft glow
- the way the light and shadow play on their faces
- the light in their eyes
- the fluff of their hair
strategy: leave white: two places in the background, catch lights in the eyes, some of the lines around mom’s face.
Palette: yellow, turkey yellow, and olive green for the background. Tan and brown for the flesh tones, orange for hair.
mix a very light tan for the highlights in the faces and start there to layout the composition. If energy is good, start with the bases. If it’s an off day, start with the background. Note: I need to paint background before finishing the edges of the orangutans.
Creation – session log:
- very unsatisfying session. I could not rough in the layout. Turned the paper upside down and back again. I’m close, but I think I made marks where the white of the eyes should be. I’ll try again in a few days.
- Today went much better. I think I have the layout 90% there. I got tired and decided to leave the baby’s head for next time.
- I started work on mom’s face, using tan and red-brown. Started adding some hair in orange and red-brown. I am clunkier than I wish it were. I am trying to move forward without judgment.
- A little more on mom’s face. I didn’t keep up with these notes.
- I worked on the baby’s face today. Same problem with note taking.
- Finished up on baby and I am liking the look of them (pesky pronouns). I painted mom’s shoulder and back. She looks a little disorganized, so I want to go back in. (My husband says “of course she’s disorganized. She’s a mom with a baby.”) I am aware of avoiding painting the eyes and lips. It feels like the success of the painting rides on their expressions.
- I painted the eyes and worked more on the faces. The baby is a success. I lost the catch lights in mom’s eyes and I think they are the wrong shape. My PCA Amber piped up to tell me it’s not as bad as I think. She has She has ideas for what else needs to be done to finish the painting.
- Last session. I added white acrylic to mom’s eyes (more clumsily than I would hope) and repainted areas of the baby’s mouth, and the mom’s face and shoulder. Amber is impressed; I am okay with it.
Insights:
- None of what I love about the photo is evident in the painting, which disappoints me.
- What’s in my head is a photorealistic watercolor. That’s way beyond my skill level and, when I think about it, not what I’m aiming for. When I look at a photo, I need to think about where I’m aiming, taking into account the qualities of watercolor which tends, at its best, to let go of detail and revel in suggestion.
- Using acrylic is better than losing catch lights completely.
- Mammalian mothers love.
Baby looks both at mom and at the world. Such a safe way to explore! Mom is more centered in herself. A rock
thanks for spending time with this pair. Painting these eyes was scary for me. One small brush stroke can change the whole expression.
I love your session notes and insights. I feel like I’m there by your shoulder as you push forward, sometimes tentatively, sometimes with bolder brush strokes.
I can sense the wheels turning in your mind as you sit back and look at th mother and child, imagining the mix of colors turning into your vision.
Sitting beside you at your easel — mentally or in person — is a joyful experience. Maybe that’s what it was like for Degas’ assistant as the artist transformed dancers into ink, or Bach’s aide as he struggled to turn Scripture into the Messiah — witnessing the creation of art.
Thank you!
thank you. You have a rare seat and a kind eye. I appreciate your help.